Price follows scope, not just running time
There is no single useful price for “a two-minute video”. Two films with the same duration can require very different amounts of research, filming, coordination and post-production. A contained interview at one location is a different undertaking from a scripted film with multiple performers and locations.
This guide does not publish Silver Mantle's prices or claim a market-wide rate. It explains the variables to put into a brief so that a production company can give you a meaningful estimate in rupees.
Separate the cost into production decisions
Creative development covers the work needed to turn the brief into a script or treatment. Research-heavy subjects, multiple concepts and extensive approval rounds can increase that work before a camera is booked.
Filming costs depend on crew, equipment, locations, travel, participants and the number of shoot days. A longer day is not automatically an efficient substitute for proper scheduling. Fatigue, changing light and participant availability can limit what a team can capture well.
Post-production includes editing and the agreed finishing work. Motion graphics, sound treatment, complex revisions, multiple language versions and separate platform edits create additional tasks. Ask which tasks are included and which are estimated separately.
Compare the same deliverables
Create a common scope before comparing proposals. Specify the number of films, approximate duration, aspect ratios, language versions, caption files and required cutdowns. Note who supplies brand assets, subject expertise and existing footage.
Then compare what each proposal assumes. Does it include scripting? How many shoot days and locations? Which review rounds are included? Are music, stock material and talent usage covered for the intended placements and duration? What happens if the brief changes after approval?
Ask the supplier to identify applicable taxes and any separately billed expenses. A low headline figure can be difficult to compare if essential components appear only later.
Reduce complexity before reducing craft
If the available budget is limited, focus the idea. One strong location with thoughtful lighting may be more effective than several rushed locations. A clear demonstration may communicate better than a complicated fictional scenario. Existing material can help when its quality and usage rights fit the project.
Batching related content can also reduce repeated setup work, but only when the concepts genuinely share locations, participants and visual requirements. Combining unrelated briefs into one shoot can create confusion and compromise the individual outputs.
Budget for changes and delivery
Reserve room for uncertainties that are real for the project, such as weather-dependent filming or a product that is not yet final. Agree how additional work will be approved. Do not rely on an undefined contingency to cover a fundamentally incomplete brief.
Provide a budget range when you can. It gives the production partner a constraint within which to design a feasible idea. The most useful quote makes the creative approach, deliverables, assumptions and review process understandable. That clarity helps you judge whether the content is worth the investment for its intended use.
Continue with What should a good video production brief include? for a closer look at the next decision.